CREW
To say the people listed below are the only people who made this film possible would be faulty.
Numerous others contributed to its creation, and the full crew list can be found on IMDB. There are also plenty of pics over on the Facebook Page.
DUSTIN PEARLMAN
Director/Cinematographer
Dustin has earned a reputation for his bold compositions, expressive lighting, and shallow depth of field while crafting short films, commercials, and music videos.
Based in Los Angeles, Dustin arrives to set with a meticulous eye for detail and a passion for filmmaking. With three features under his belt as cinematographer, long form narrative is his forum of choice. The challenges of independent film keeps him on his toes and the creative solutions that must be made on the fly are what keeps him sharp and excited to come back to work.
Aside from his dedication to cinema, he is an outdoor enthusiast and avid environmentalist. Directly after graduating from Northwestern University in 2004, Dustin rushed to Los Angeles to work his way up the ranks in the camera department all while learning the tricks of the trade from some of the best cinematographers in the business. Those experiences have aided his development into the artist that he is today.
BRIAN SPAETH
Writer/Producer
Brian, who also stars in WSM?, learned the art of screenwriting while not listening in biology classes at The Ohio State University. He enjoys comedy and adventure films, and counts among his influences modern classics like Back to the Future, Teen Wolf, Teen Wolf Too, and the short-lived Teen Wolf and Back to the Future cartoon series.
When asked where he gets his ideas from, he directs people to his definitive book on the process writing, How To Make Things Up That Weren’t There Before and Then Write Them Down. As stated in his semi-autobiographical first novel, Prelude to a Super Airplane, Brian is never quite sure whether he knows what he’s doing, or if he’s just a good-looking, charismatic idiot savant.
BRAD RADBY
Producer
Brad was born in northern California – Who Shot Mamba? is his first produced feature. The son of a lumberjack and a corporate psychiatrist, Brad loves to surf and go to fun parties with loud music. In addition to his producing efforts, Brad has directed music videos and a few short films.
Brad loves Mustangs.
When not playing electric guitar and being an inactive participant in Native American right rallies, Brad is an active participant in Native American rights rallies.
DAWN COBALT
Editor
A graduate of New York Film Academy, Dawn has written, produced, edited, and directed five short films. Her film It Should Have Been Me debuted at the Egyptian Theater in Los Angeles to rave reviews.
She has worked as Director of Photography on three shorts, as Key Grip on Mickey Rooney’s Wreck the Halls and as editor on Who Shot Mamba?.
Her recent project as Producer and Director, a music video for local band Aces High, is in post production. She is in pre-production as Director for She has to Urn It and Going Under.
DANIEL COE
Composer
Daniel Coe likes really nerdy lounge and rock music from the 50s and 60s. Why won’t somebody cool do a project that needs original music like that? He can travel back in time to write some tunes that today’s music supervisor can put into a project to make it super cool. He should have been born in 1935, but alas…
Dan has been assistant to film composer Angelo Badalamenti (Twin Peaks, Mulholland Drive) and currently assists composer Marcelo Zarvos (What Just Happened?, The Good Shepherd). He also frequently collaborates with producer Jack Douglas (Aerosmith, John Lennon) and has contributed to albums for Aerosmith, Danielle Evin, Marina V, The Trews, and The New York Dolls.
ANGEL MELANSON
Unit Production Manager
Angel was born and raised in Palm Springs, and is currently studying film at LACC. She ultimately plans on producing and directing, and has done so with a variety of her own short films.
Angel currently lives in Los Angeles, where she keeps a great love for zombies and monsters alive.
SKOT FUCHS
Sound/Boom
Skot Fuchs is a guy who helps take movies and make them into talking pictures. He is also a musician. He has a cat, and enjoys shopping for toys for his cat.
He is far less interesting than any of the other people with impressive biographies on this page, therefore his will be shorter.
His dream is to one day work as a foley artist for movies about monster trucks that get lost in the tundra.
HEATHER HOLLIN
1st Assistant Director
Heather Hollin was raised in Indiana and arrived in Los Angeles in 2006, eager to make her move into film production.
She quickly found work on a variety of sets, working first as a production assistant, but quickly working her way up the ladder to 1st AD and Production Coordinator.
Within minutes of meeting Heather, she’ll be quick to inform you of her love for the band 30 Seconds to Mars. It is with this obsession that she spends much of her free time in her new home city.
GREGG CHRISTIAN ROBBLEE
Key Make-Up
A long time member of the Hollywood entertainment community, Robblee enjoyed a twenty-year association with Aaron Spelling Productions and ten years with Miller-Boyett as an actor and dialogue coach on such television classics as The Love Boat, The Colby’s, Step By Step, and others.
Later he studied advance make-up technique, and now heads up TCD Professional Make-up Artistry. His work on Sinners won top honers at the Swansea Bay Film Festival in 2007.
Robblee returns to Wales for filming of Dylan Thomas’s “A Child’s Christmas In Wales” for his Welsh Dragon Productions early in 2008.
DEBORAH HUNTER
Script Supervisor
Born and raised in Chicago, Illinois, Debbie grew up with a love for music, movies, and theatre. After attending Act One Studios and Players Workshop of the Second City, she earned her Bachelor’ degree in Theatre from Northern Illinois University.
Along with acting, Debbie held various positions in Northern’s theatre department, including Company Manager for The Storyteller’s Guild, Theatre Manager for the Corner Theatre, and Production Manager to the Technical Director. She was also the Associate Producer for Northern Illinois Theatre Ensemble’s productions of The $30,000 Bequest and Alice in Wonderland.
Since moving to Los Angeles in 2007, she has gained experience as a production assistant, script supervisor, and 2nd AD on the sets of music videos, short films, and features.
